In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
Man, the rebooted Star Trek movie series really has this whole “casting actors we really like” thing down. The latest report from Star Trek 3 has the great Idris Elba cast as the movie’s villain, whose identity remains, for the moment, a mystery.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
With Star Wars: Episode 7 less than a year away, Disney and Lucasfilm are facing a conundrum: just how many billions do they want to make from ancillary merchandise? Get ready for Star Wars bedsheets and Star Wars lunch boxes and, of course, countless new Star Wars action figures. You will be able to fight other adults in the toy aisle at Target like never before! However, Star Wars aficionados hoping to celebrate their fandom in a quieter way will also have their fair share of options, namely 20 new books bridging the 30-year gap between Return of the Jedi and The Force Awakens.
With Taken, Liam Neeson became an unlikely action star, with his quiet, solemn masculinity lending gravitas to even the silliest dialogue and story beats. But rather than use the success of that instantly meme-able film as an excuse to pursue more period dramas and British weepies, Neeson embraced his newfound action hero identity. Now, after seven years of snapping necks and gunning people down across several continents, it looks like he’s ready to retire from the action hero game for good.
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
The internet will never stop arguing about when it is okay to show films with explicit content to children. But, there is one thing that we’re pretty sure everyone can agree on: showing the violent and disturbing The ABCs of Death to five classes of unsuspecting students is an act of irresponsible idiocy on just about every conceivable level. Columbus, Ohio substitute teacher Sheila Kearns was rightfully let go from her job back in 2013 when she screened the film for her substitute Spanish classes, but the courts have handed down an additional punishment: 90 days in jail.
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
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